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보완색, 유사색, 삼색 및 기타 조화 규칙을 사용하여 기본 색상에서 조화로운 색상 팔레트를 생성합니다.

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이 도구에 대해

기본 색상을 선택하면 여섯 가지 조화 모드를 사용하여 전체 팔레트를 즉시 생성합니다: 보완색, 유사색, 삼색, 사색, 분할 보완색 및 단색. 각 색상 견본은 HEX, RGB 및 HSL 값을 표시합니다. 팔레트를 CSS 사용자 정의 속성, JSON 배열 또는 Tailwind 구성 코드로 내보내거나 — 무작위화를 클릭하여 새 팔레트를 발견하세요.

사용 방법

  1. 1 색상 선택기를 사용하거나 HEX 값을 입력하여 기본 색상을 설정하세요.
  2. 2 버튼에서 조화 모드를 선택하세요(보완색, 유사색, 삼색 등).
  3. 3 색상 견본을 클릭하여 HEX 코드를 복사하거나 내보내기 드롭다운을 사용하여 전체 팔레트를 CSS, JSON 또는 Tailwind 구성으로 복사하세요.
  4. 4 무작위화를 클릭하여 새로운 색상 조합을 탐색한 후 선택기로 기본 색조를 미세 조정하세요.

Color harmony is geometry on a wheel

Every "harmony" this tool offers is really a rule for picking angles on the color wheel. The wheel is the hue dimension of the HSL color model, running 0–360 degrees, and the relationships designers have used for centuries are just fixed rotations from your base hue. A complementary pair sits 180° apart for maximum contrast; triadic colors are spaced 120° apart for a balanced, vivid set; analogous colors cluster within about 30–60° for a calm, cohesive look; and monochromatic schemes keep the hue fixed while stepping the lightness up and down. The generator takes the hex color you choose, converts it to HSL, rotates the hue by the right amount for the selected mode, and converts back to hex — so the math is doing exactly what a color wheel does by hand.

What each mode produces

ModeHue offsets from baseFeel
Complementary+180°High contrast, two colors
Analogous−30, base, +30, +60Harmonious, low tension
Triadic+120, +240Balanced and lively
Tetradic+90, +180, +270Rich, four-color
Split-Comp+150, +210Contrast, less jarring
Monochromaticsame hue, lightness ±15/±30Subtle, single-color

To keep results usable, the tool clamps saturation to the 5–95% range and lightness to 10–90%, so it never hands you a color that is pure black, pure white, or a muddy zero-saturation gray by accident.

A worked example

Start with the default blue #3b82f6. In HSL that is roughly hue 217°, saturation 92%, lightness 60%. Choose complementary and the tool rotates the hue to 217 + 180 = 397, which wraps to 37° — a warm orange-gold — at the same saturation and lightness, giving you a blue/orange pair that designers reach for constantly. Switch to triadic and you get the base blue plus hues at 337° (a pink-red) and 97° (a green), a trio that stays balanced because the three are evenly spaced around the wheel. The "Randomize" button, by the way, doesn't pick a fully random color — it constrains saturation to 50–90% and lightness to 40–60% so the starting point is always pleasant rather than neon or washed out.

Reading the swatches and exporting

Each swatch shows the color in three notations: HEX for CSS and design tools, RGB for code that needs channel values, and HSL so you can see the hue/saturation/lightness logic directly. Click any swatch to copy its HEX to your clipboard. When you're happy, the export panel emits the whole palette as CSS custom properties (--color-1 …), a JSON array, or a Tailwind colors block — ready to paste into a stylesheet or config without retyping a single value. Everything happens in your browser; no colors are uploaded.

Practical tips

  • Pick one dominant color, not equal thirds. The classic 60-30-10 rule says a dominant color, a secondary, and an accent. Use your base as the 60%, a harmony color as the accent, and don't spread all swatches evenly.
  • Check contrast for text. A harmonious pair isn't automatically readable. The HSL lightness values are your clue — pairing two mid-lightness colors as text-on-background usually fails accessibility contrast, so push one much lighter or darker.
  • Use monochromatic for UI depth. The lightness steps make natural hover, active, and disabled states from a single brand color.

Common mistakes

  • Treating harmony as accessibility. Complementary colors look striking but can vibrate uncomfortably when placed as small text — harmony rules are about aesthetics, not legibility.
  • Forgetting hue wraps around. Offsets past 360° wrap back to the start, which is why a +180 from a high hue can land on a warm color rather than the "opposite" you pictured.
  • Using a near-gray base. If your base has very low saturation, rotating its hue barely changes anything — start from a saturated color to see the harmonies clearly.

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